潔心作画感赋戊戌三月·洁心
娇娆鸾发自梳眉，迤逦氍毹水墨遗。
俯首描摹细致处，正当花下念君时。
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中国戏曲是东方艺术的瑰宝，历代画家都有表现戏曲的画，从清代的胡锡珪先生，到民国的任伯年先生，都有作关于戏曲的画，更别说民间的年画，多数以戏曲为题材。人生如戏，戏如人生，这样的题材深受人们的喜爱。
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对于作画者来说，笔下的作品都犹如自己的孩子，都是自己的心血所凝结，即便是临摹的作品，也是经过画者亲手一笔一划绘画而成。如何创作既合乎舞台造型，又符合绘画造型的形象？这对我来说是一项很大的挑战。戏画，它既是戏，又是画，既要符合剧情和演员的关系，又要体现绘画的美感，做到抓住关键，善于捕捉，既要大胆取舍，又要充分夸张。
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戏画泰斗高马得太先生说过：画戏要先弄懂戏曲表演程式和各种角色行当的特征，还要画到点子上，也就是要熟悉剧本，熟悉剧情，做到“意在笔先”，“胸有成竹”，才能把戏曲人物更传神地以绘画的形式表现出来。 《游园》描写杜丽娘第一次游览自家后花园，诧呀于万紫千红开遍的美景，又感叹断井颓垣无人欣赏，良辰美景空自流逝。因此在画《游园》时，我主要抓住杜丽娘对眼前美景的憧憬，姿态活泼飘逸，与同游花园的春香相互呼应，展现一个深闺少女的欣喜与觉醒。
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《惊梦》杜丽娘游完花园，感叹于春的流逝，带着“得和春两流连”进入梦中。在梦中，柳梦梅手持柳枝，缓缓而来……如花美眷，似水流年，是答儿寻遍，却不曾想你就在这里，恰好在花园内，是哪处曾相见？多么美好的画面呀！
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《寻梦》最撩人春色是今年！画中的杜丽娘怀着欢快的心情，充满希望出来寻梦，重游梦境，沉浸在美好的回忆里。所以在处理这幅画的时候，我采用了比较飘逸流畅的线条，脚步轻盈，使杜丽娘的形态充满了动感，给人一种“春心无处不飞悬”之感。设色上只用了淡淡的浅青色，体现春天充满希望的感觉，这也是我自己比较满意的一幅作品。
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叶浅予先生说过：在创作过程中，每个人的创作都反映着作者个人的内心世界，总带着绘画者的个性，也许这就是所谓的“主客观统一”，这也就是戏与画的统一。总之，戏画的难处，在于它不是孤立的只抓住一鳞半爪或切取个别片段，它是有故事的，这是戏画与山水，花鸟，人物画的根本区别。戏画，意在传神，而不是写实。当然，这种意传不是指违反了人物解刨规律，可以是夸张，但不是无缘无故的变形，把人物涂得面目全非，那不是写意，而是走形了。
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“若士词，叶氏曲”。昆曲里，最经典的是《牡丹亭》，而《牡丹亭》里，最经典的莫过于《游园惊梦》一折。我最爱画的，也是《牡丹亭》里的杜丽娘。笔下不知画过多少个杜丽娘…在我的心里，有永远唱不尽的姹紫嫣红，画不完的如花美眷！
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简介：杨小洁，笔名洁心，广东潮州人，英语教师。从小喜欢绘画，擅长戏曲人物和仕女。书画作品曾多次参加大型书画展览。近年来醉心于戏曲人物的绘画，画风承袭戏画泰斗高马得先生，笔法简练概括，线条流畅优美，并得高马得先生之子，著名戏画家高多先生指导，潜习戏画。2017年初应扬州编剧汪青山先生之邀，为其新编昆剧《嫁衣记》创作插画八折（此剧已为2015国家文化部注册剧目），并为江苏省昆剧院昆剧《玉簪记》录制众筹活动创作插画四折及绘制相关主题戏曲折扇。2017年由中国著名禅画大师雪鸿收为入室弟子并在清华大学美术学院雪鸿禅画高研班研习国画。2017年10月应美国新墨西哥州政府邀请，在阿尔伯克基市会展中心参加“中美城市对接峰会画展”展览。阿尔伯克基市新闻为洁心展出戏画作了专题报道。 除绘画之外，还善昆曲、越剧，诗词。2015年跟随浙江传媒学院刘志宏博士学习格律诗词，诗词作品曾多次获奖，原创诗词【临江仙 妙玉烹茶】入选2016曹雪芹文化节北京黄叶村曹雪芹故居诗词墙。昆曲曲唱上得到著名昆曲表演艺术家王建农先生和龚隐雷女士的指导。所绘制戏曲折扇受到美国、加拿大、英国、法国、台湾、香港等文人学者和专业戏曲演员的喜爱并收藏。现为潮州市音协、书协、美协会员，潮州政协潮州诗社社员，红楼大观诗社社员、微刊编辑，深圳和雅昆曲协会理事，扬州青年昆曲爱好者协会会员。
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Introduction： Yang Xiaojie，with the pen name Jiexin，an English teacher，is from ChaoZhou，GuangDong，China. She’s interested in Chinese Painting and showed her talent since her childhood. She is good at Figure painting especially in Ancient Chinese Beauties and Chinese opera figures. Her works have been invited to attend many large Chinese painting exhibitions. She has been devoting herself in Chinese Opera figures these lately years. Her painting follows the painting style of Gao Made，the most famous Chinese Opera Figure Painting artist，showing a painting style of being exaggerated ，simple but fluent and beautiful，and she has been learning painting skills from the son of Gao Made，Gao Duo，also a famous Chinese Opera Figure Painting artist. At the beginning of 2017，she was invinted by Wang Qingshan，a Kunqu Opera scripwriter，to paint a series of inbetweening for his new script The story of the Bridal Clothes. The script has been registered by the National Ministry of Culture. She was also invited to paint a series of inbetweening and Chinese Folding Fan for The Story of Jade Hairpin played by Jiangsu Kunqu Opera Theatre. In the year of 2017，Jiexin was accepted as a student by Mr. Xuehong，Chinese famous artist for Chan painting and now is learning Chinese Painting skills from Mr. Xuehong in Academy of Fine Arts of Qinghua University for Chinese Painting of High Research Studies. Except painting，Jiexin is also good at writting Chinese Poems，singing Kunqu Opera and Yue Opera. She learned poems writting from Dr. Liu Zhihong of Suzhou University. Some of her poems won prizes. One of the poems，Miaoyu Making Tea，was seleted to written on the Poem Wall in the Former Residence of Cao Xueqin，the greatest litterateur in Qing Dynasty in Cao Xueqin Cultural Festival in Beijing in 2016. She also learned Kunqu Opera from Wang Jiannong，famous Piper，and Gong Yinlei，famous Kunqu Opera actress. The Chinese Folding Fan with her figure paintings are popular among litteratures in the USA、Cananda、Taiwan and HK ，also actors of Chinese Opera and collected by them. Now she is the member of Chaozhou Musicians’ Association、Chaozhou Artists’ Association、Chaozhou Calligraphers’ Association. She is also a poem and edit of Chaozhou and Daguan Poets’ Association，and also director of Shenzhen Heya Kunqu Opera Association and member of Yangzhou Youth Kunqu Opera Association.
